The Gnomon Workshop offers the most comprehensive set of Digital Production tutorials anywhere. The broad scope of the tutorials contained in this section range from foundational understanding of the software tools all the way to the professional application of these tools and concepts used by artists working in the film and game industries.
The Gnomon Workshop is widely regarded as the global leader in training tutorials for the designer working in the entertainment industry. With tutorials ranging from foundational drawing and design concepts to process tutorials from some of the top concept and character designers in the world, there is surely something here to inspire.
As the tattoo industry has seen an explosion in popularity over the last few years, the need training in this field has also grown. In these video tutorials, some of the top tattoo artists in the world share their techniques and their take on the art of tattoo. The tutorials range from absolute beginner level to advanced color and blending techniques used by some of the world's best.
The Gnomon Workshop offers professional training on most of the software applications used in today's digital pipelines. There are foundational titles to introduce users to the software and tools, as well as advanced production titles that discuss application tools and processes vital to the production of digital assets and media.
Professional Training for Artists
The Gnomon Workshop seeks out the most highly-regarded traditional and digital artists and technicians currently working in the entertainment and design industries. Our instructors have shared their practices working at such top studios as Pixar, ILM, Blizzard, and many more.Instructor GalleriesInstructor Interviews
Dylan Cole is a leading matte painter and concept artist specializing in work for film, television, and video games. After graduating from UCLA with a degree in fine art, he took his painting skills to the computer. He got his start with a brief stint at Illusion Arts on Time Machine. Smaller jobs as a matte painter and concept artist led to him working at Rhythm and Hues on Daredevil. He then left his native California to go to New Zealand to be a senior matte painter on Return of the King for Weta Digital. He returned to the US as Lead Matte Painter on The Chronicles of Riddick for Rhythm and Hues, where he transitioned to Visual Effects Art Director on The Ring 2. He has also done freelance matte painting on many different films including, I, Robot, Van Helsing, Sky Captain and the World of Tomorrow, and The Aviator. He is currently doing concept design for several video game companies and continuing to do matte painting on such films as Memoirs of a Geisha and The Lion, the Witch, and the Wardrobe.
"These three titles make me want to start all over and be a matte painter! From lush green landscapes to a thriving downtown metropolis, Dylan shares with us the techniques of a world class matte painter."